Exhibitions & More

Solo Exhibitions

924 Gallery Indianapolis Art Council April 2012

Indianapolis Art Center 2005

Joint and Group Exhibitions

Hoosier Salon Exhibition 2023, 24

Glass Arts Indiana: Garret Museum of Art Fort Wayne, IN

Art From the Heartland, Indianapolis Art Center- 2022

Artist’s Own-joint exhibition with Andrew McAleese 2022

Seesaw Studios Joint Exhibition with Andrew McAleese Gaslight Arts Gallery-Marshall, IL 2021

“Between the Sheets” 4 person glass Exhibition-Link Gallery, Paris, IL  2020

Rose-Hulman Fall Exhibition 2021 & 2018

Arts Illiana Juried Exhibition April 2018

Seesaw Studios Inc. Joint Show/Andrew McAleese 2017 Jewish Community Center, Indianapolis, IN

Indiana State University Alumni Show August 2016

Making it in Crafts-A National Invitational Exhibition: Art Museum of Greater Lafayette 2014

Rock Paper Scissors-Three Contemporary Women Sculptors, Swope Art Museum 2008

Grants

Lilly Teacher Renewal Creativity Grant 2005

Partners in Education: Interdisciplinary Approach to Teaching Art” Brazil, South America 1991

Awards

Hoosier Salon Show: Third Place Sculpture 2023

Pendergast Award: Swope Art Museum 2023

Swope Wabash Valley Exhibition-Sculpture award 2021

Indianapolis Art Center Student Show-Best of Show 2005

Commissions

Buckingham Reality-City Way Apartment-address signage for 300 apartments 2012

Rose-Hulman Office of the President 2020

Indiana State University Foundation 2023

Nuvo

Indianapolis Art Center Exhibition

"Petra de ora" sandstone from the St. Meinred quarry, wood and glass are combined to create sensuous, defined, sculptural forms that feed off of instinct. Clear blown glass balls, central to all the pieces, spur an inborn attraction with their water-like shine from catching the light. They're also the perfect size to fit comfortably into a hand like an ancient pestle or tool, which only stimulates an innate tactile yearning. Further feeding on primordial senses is the placement of these vulnerable and slightly oblong looking balls between squarely cut stone as in "Bon Ami." Looking like a large raindrop or bubble, the glass defies its seeming flimsiness to hold the unlikely weight of the perfect stone. The implausibility is not an outright or harsh illusion, but rather a subconscious subtlety. The contrast of time trapped in the striation of the stone's gritty texture, with the free sense of movement and weightlessness exerted from the glass, is present though the two meld into a comfortably soft aesthetic. Eight children filtering through the gallery, captivated, exclaimed "wows" as their testament to this work's success. It tinkers with the laws of attraction. Chalos-McAleese, an art teacher of 20 years, received a Lilly Renewal Fellowship that enabled her to build this exceptional body of work.

- Mary Lee Pappas

Anna Lee Chalos-McAleese & “924 Gallery”